MPAA: Millions Of DMCA Takedowns Proves That Google Needs To Stop Piracy

Copyright

from the huh? dept

The delusions of the MPAA are really impressive sometimes. For years, they’ve been pushing to make search engines like Google liable for blocking sites they don’t like. That was a key provision in SOPA — that it would force “information location services” to disappear links to sites deemed “dedicated” to infringement. Of course, as we’ve noted, it was only after SOPA failed that Hollywood finally started using the tools already available to it to ask Google to remove links to infringing works. At the same time, we noted that the fact that Google is now processing an astounding 2.5 million DMCA takedown notices a week suggests that something is really, really broken. We meant copyright law itself — but our good friends at the MPAA went in the other direction, and suggested it showed how Google needs to do more, and how artists are overly burdened by the DMCA:

There is a staggering amount of copyright infringement taking place every day online and much of it is facilitated by Google, as their own data shows. According to Google, they receive 2.5 million takedown requests per week – and that data does not even include YouTube, where an enormous amount of infringement takes place. That means that by Google’s own accounting, millions of times each week creators are forced to raise a complaint with Google that the company is facilitating the theft of their work and ask that the infringing work or the link to that work be removed. Often, even when the links are removed, they pop right back up a few hours later. That’s not a reasonable — or sustainable — system for anyone….

We couldn’t agree more with Google that this data shows that our current system is not working – for creators, or for Google. But we can’t lose sight of the fact that it also confirms the important role that Google has to play in helping curb the theft of creative works while protecting an Internet that works for everyone. We look forward to continuing to work with them to tackle this urgent challenge.

Now, I agree that it’s difficult for copyright holders (often not the actual creators, as the MPAA falsely implies) to have to monitor and track all of this stuff. That’s a big burden. But… the MPAA ridiculously implies that there are only two options here: (1) “Creators” keep filing DMCA takedowns or (2) Google has to do more. That ignores reality in multiple ways. First off, the staggering number of bogus takedowns highlights the key point that we’ve made all along, which is that the only party who actually knows if a work is infringing is the copyright holder — and even then, they often seem to get confused. Somehow thinking that a third party with no direct knowledge can somehow do more or should be more responsible is a little silly.

But the bigger issue is that this assumes — as the MPAA always seems to assume — that the only response to infringement is “more enforcement.” What it seems to refuse to consider is that there’s another path: it’s the path in which the MPAA studios stop focusing so much on beating everyone with a stick, and start fixing the broken parts of their business model. Time and time again the evidence shows that if you offer people what they want, at a reasonable price, and with convenience, they pay — and the “problem” of copyright infringement shrinks to being minimal (or, in some cases, it actually helps you). So, a rational individual or organization would look at the scale of the “problem” that the MPAA is talking about, along with all of the historical data on how little enforcement does to get people to actually buy — and realize that perhaps that strategy is a mistake. Even the MPAA admits in this very post that the works often pop back up online.

Maybe — just maybe — the problem isn’t search engines not doing enough, but rather the strategy that focuses on the stick of enforcement, rather than the carrot of providing consumers more of what they want. I recognize it’s a crazy idea, especially at the MPAA — where they have a whole freaking division of “content protection” VPs who need to justify their giant salaries, rather than a division for helping filmmakers embrace useful business models — but it seems like a more productive path forward.

Oh, and one other thing. Could the MPAA stop with its bullshit claims that enforcing copyright couldn’t possibly have an impact on free speech? This blog post has this in it:

One thing that’s important to make clear in any serious discussion about tackling online theft: absolutely no one is advocating for the restriction of speech on the Internet. Freedom of expression is a cornerstone of the Internet, and a cornerstone of the film community, which has spent the last century advocating for artists to be able to express themselves freely on the screen. Removing infringing works online isn’t limiting access to information or ideas, it’s ensuring that the creativity and hard work that went into making a film is encouraged to flourish.

If the only thing taken down due to copyright claims was “infringing works,” they’d have a point. But it’s not. Copyright claims are used all the time to censor or take down sites or content that people just don’t like. That’s the concern. The massive expansion of copyright law and broad tools like the DMCA’s notice-and-takedown lead to massive amounts of collateral damage that — absolutely and without question — infringe on free speech rights. Until the MPAA is willing to acknowledge that simple fact, it’s difficult to take the organization seriously.

Filed Under: copyright, dmca, strategy, takedowns
Companies: google, mpaa