Why The "Copy Protection Is Necessary" Argument Doesn't Make Sense
from the breaking-it-down dept
What Lee points out, is that the defenders of the DMCA tend to defend it on one of two points, and shift back and forth between them when convenient (that is, when the other point is shown to not hold). However, when you look at the two separately, you realize how the entire argument falls apart. The two arguments are basically: "copy protection acts as a necessary speed bump" and "the internet has changed everything." What Tim Lee notices is that the speed bump argument only refers to people copying content from someone you know (i.e., ripping their CD or having them send you files directly). Because, as pretty much everyone knows, no copy protection works, and any file is available online (which the EFF points out in their own rebuttal to Singleton). So, there's no such thing as a speedbump for infringement if you're just downloading files online. They're already available -- so adding copy protection to the files that are sold makes no difference to internet distribution. That leads to the second issue. It may be true that "the internet changes everything" as a means of distribution -- but since copy protection has had no effect, whatsoever, on the availability of content online, then it's clear that the claim that DRM is needed because the internet changes everything makes no sense. It's had no effect, so how could it be needed?
The only area where they could claim it does make any sense is in the realm of personal copying (what Lee refers to as "meatspace copying") among people who know each other. And, of course, that has been possible (and, in some cases, encouraged) since well before any copy protection ever existed. That kind of personal copying has its own "speedbumps" built in -- in that people have to find someone who has a copy, figure out how to make the copy themselves, and provide whatever form of storage media the copy will be made to. If anything, those speedbumps simply push people to go online where they can download the content (which, you'll remember, is not impacted by DRM at all). In other words, the only part of the argument that even remotely makes sense is the same issue that has always been around, and which most agree is a very minor issue compared to internet-based file sharing. In fact, every time in the past that the entertainment industry has raised this issue of new technology allowing unfettered copies (piano rolls, radio, cassette tapes, VCRs, CD players, MP3 players) rather than harm the industry, these changes have helped it grow. So, by pushing DRM about the only thing the industry seems to be doing is holding back the latest innovation that should be helping the industry grow. Either way, the next time PFF or anyone tells you the DMCA and copy protection are necessary, dig deeper into exactly why that is -- and make sure to distinguish between "meatspace copying" and internet distribution, because their argument pretty much falls apart when you split them up.